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Betrayal (1983 film)
''Betrayal'' is a 1983 film adaptation of Harold Pinter's 1978 play of the same name. With a semi-autobiographical screenplay by Pinter, the film was produced by Sam Spiegel and directed by David Jones. It was critically well received, praised notably by ''New York Times'' film critic Vincent Canby〔Vincent Canby, ("Movie Review: Betrayal (1983: Pinter's 'Betrayal,' Directed by David Jones" ), ''New York Times'', February 20, 1983. Web. Retrieved on February 7, 2009.〕 and by ''Chicago Sun-Times'' film critic Roger Ebert.〔Roger Ebert, ("Betrayal" ), ''Chicago Sun-Times'', March 18, 1983. Rpt. ''RogerEbert.com''. Web. Retrieved on February 7, 2009.〕 Distributed by 20th Century Fox International Classics (USA), it was first screened in movie theaters in New York in February 1983.〔Susan Hollis Merritt, ''Pinter in Play: Critical Strategies and the Plays of Harold Pinter'' (1990; Durham and London: Duke UP, 1995) 236, 300. The first film reviews of such New York commercial screenings cited by Merritt date from 20 February 1983 (236-39).〕
==Plot==
''Betrayal'' follows significant moments in the seven-year extramarital affair of art gallery owner Emma (Patricia Hodge) with literary agent Jerry (Jeremy Irons), the best friend of her husband Robert (Ben Kingsley), a London publisher. With titles such as "Two years earlier" and "One year earlier," nine sequences are shown in reverse chronological order with Emma and Jerry meeting for the first time at the conclusion of the film.
Pinter based the drama on his seven-year (1962-69) clandestine affair with television presenter Joan Bakewell, who was married to producer-director Michael Bakewell. At the time, Pinter was married to actress Vivien Merchant.〔Michael Billington, ''Harold Pinter'', rev. and expanded ed. (1996; London: Faber and Faber, 2007) 264–67.〕〔Joan Bakewell, ''The Centre of the Bed'' (London: Hodder & Stoughton, 2003). ISBN 0-340-82310-0. (Two chapters deal with the relationship and affair with Pinter.)〕
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